My Pap Smear Hurt Really Bad

Interview with Vanda Guaraglia author of "The voice of Psyche" Interview with Eduardo

Wednesday December 29, 2010

"Poetry has always loved the image, convinced that only real poetry is born from the image and that only real poetry to produce an image." (From his preface). The symbol energizes the omen. E 'source of ideas. Inspired images. "For Freud, the symbol represents the relation that links the manifest content of a behavior, a thought, a word in its most hidden and less noticeable and therefore latent." "For Jung, symbols are a kind of numinous phenomenon, radiant energy, which exerts a strong influence on the conscious mind. "Therefore, images and symbols are not only production the unconscious mind but reactivates a function ...
Yes, I think so, although I have no idea how it happens ... mine is more of a feeling than to have read something about it ....

Psyche In Greek means "Soul." The primordial images of the collective unconscious are called archetypes: "original" (arche) - copy "(Tipos) business models inherent in the human psyche. The fable of Cupid and Psyche was often used to represent: the myth of Western culture, the symbolic path that soul must take to reach the sacred marriage with Animus. In the first nine poems in her collection she gave voice to Psyche myth, but without going into a deep and complex meanings from
... Yes, I do not think of being able to have the competence, the tale of Cupid and Psyche is a monument, something too big. I have read several interpretations, but as I wrote, Psyche for me was just a girl who was not given the opportunity to express themselves, no one asked what he felt, what he felt in the story .... a lack of female voice, which lack only a woman could fill in a simple and having fun, I tried to do so.

He wrote: "Looking back the streets" Ed The Wire, 2066, "The hands of the poet" Ed.Lietocolle, 2008, "The voice Psyche, "Animus et Anima, 2010. Would know give me a brief definition for each collection of poetry? Going
streets is a throwback, each poem is linked to a memory or an image in my mind born child. 'The hands of the poet' is a loving homage to the great love that despite all ends because love is eternal and therefore divine but not human beings .... in 'The voice of Psyche', though not at first person, rebuke and continued the same theme by asking more questions about love.

His poetry stands out in a literature dominated by the minimalist poetry of the authenticity of everyday life, of body
... I love the minimalist poetry of everyday life ... I believe that the truest poetry, if I may say so, is there, in little things every day, and live to see these little poems give meaning to life if .... not happiness literature that comes close to being approaches to authenticity, the big things, to be such, for long life must be rooted hair ... there is no good if the tree does not has good roots.

How do you feel when the muse speaks and is seized with inspiration?
The need to write and joy to find, listen to that part of me that too often lately silent. What are you reading

a poet?
A poet reads a lot of poetry, both past and present, reads prose, essays and everything like that ... enriches and is always a good read if you choose carefully.

What is the value for her friendship?
Friendship to me has a great value, is the meaning of life, knows no time and space, wins the remote and does not grow old friends are dear fellow travelers ...

Many artists use the network to disclose their thoughts. She has that relationship with the Internet?
I have a good relationship with the Internet, it satisfies my curiosity, the desire to know, I have published several poems, although I prefer the classic book, maybe recycled paper ...

E 'was born and lives in Novi Ligure and lives in Tonna (Alexandria). What is your relationship with his land?
I grew up in a small village and my land, perhaps because I spent every season in a long time to play, walk, think and dream about the open, I made a strong bond since childhood ... I have often heard the call and a return of images that gave rise to the collection 'Looking back roads' ... leave that land was like leaving a mother, now no turning back because I love other places but the same love that I learned there.

What does it mean for her being a woman, now that the woman swings between slavery and the appearance of the image, between the consciousness of one's body and the limit that requires the same set not to accept the signs of age or disease?
For me being a woman today is to try each day the balance, between being coincide with the appearance, remind me to be and appear not in opposition but complement: as I dress in a way not to appear but appear to be in the way that others may know me ... I hated them the signs of age, do not like them and I think I never will, having said that I accept them because they're part of life and can not be made otherwise, I prefer a facial contours falling to certain faces 'against the wind' with almond eyes and mouths drawn ... that goes well, China has flooded the market .... the nurse and I work with elderly patients, I accept the impotence because it is the only possibility that the man is the basis on which to work to change something ... I really admire those who can live with dignity in old age and disease ... indeed wish to use this space to thank them in the past .... ten years have taught me and responded in kind.

Guaraglia Vanda was born in Novi Ligure in 1957 and lives in Tonna (Alexandria). His lyrics are included in the 1997 and 1998 editions of the Agenda and poetry in the Anthology of Poetry Alexandrina Editions Joker, in the Anthology of poetry published by the municipality of tonnage, in Verba Agresti and The Secret of strawberries in 2006 and 2007 edited by Lieto Colle. It is part of the literary workshop "Words and things" in Novi Ligure and collaborates with various organizations and literary groups. His lyrics are present on internet sites (www.poiein.it, www.lietocolle.info, www.nonsoloparole.com, www.edizionijoker.com, www.animapersa.net) and magazines such as grades, Hourglass, point Vista, The Mirror of the Press, Hebrnon and Il Foglio Clandestino. Published in 2006 for the publisher of the Rome Wire the book "Looking back roads" and in 2008, "The hands of the poet" with LietoColle .

Carina Spurrier

List Of Chinese Adjectives

Cook, author of "Moments"

In choosing the title of his anthology, tells us how he lived his period of uncertainty, for "Moments" for a moment he preferred "Catharsis," but it seemed a title with too many claims, and then opted for "Moments" as essential to defend a lexicon.
Yes "Moments" seemed an appropriate title. Perhaps my uneasiness the sublime through this research, which is not only poetic, creative, but also existential.

His preface is smooth, tidy. Several lines later we read that his poems are free from restrictions, for his failure to comply with certain rules. Specifies that his poems are not haiku because they do not comply with the scheme even though the 5-7-5 syllable haiku inspired. Then, to be seduced by another definition, haisan, and writes, "can say so or say nothing." I read the three verses standing out in the middle of the first page of his anthology: "Last night it rained / Despite the sun / The pines are cool" and continues with "certainly something to tell him directly that he put his hand on the trunk." His anthology puts aside the appearance versistico-metric haiku but offers the same strong play of a painting and feel it. Three ways a frame. And 'the intent of his pay?
I do not know what my intention. I just try to translate the emotion that nature gives rise, through a particular form. The truth is that attracts me, seduces me the picture in front of me. So eloquent, so effective ...

Haisan in Japanese means "three." Japanese poetry is brilliant and light at the same time, but also dignified and essential. What finds himself in this type of pay?
I think the three verses reflect my way of being: essential and immediate. I do not like to dwell too much, unless the discussion is not m'appassioni.

Japanese Love poetry?
Japanese poetry ... I was thunderstruck. When I started to read this kind of poetry including the three verses that immediately responded to my nature, my way of being. I refined the shape through my travels, my wanderings ...

imagined a child to become a poet?
a door but do not consider myself a person who writes poems, which simply tries to capture the moments that lives. Besides writing, I do many other things. Reviewing my past I often notice that it has always cultivated a sense of aesthetics. Even in sad times, less happy. Well I have always tried (and sometimes found) my refuge.

You are a optimist or pessimist?
A person who tries to shake off the sadness, but at the same time to dampen the enthusiasm. I tend to my balance, which for me has always been a point of arrival, never a point of departure.

One of his verse says: "The summer ends / Poems of yesterday, today's poetry." Yes
This poem is a comparison, a summary of my route. And 'the tip of the iceberg, implies a life, a series of experiences ...

What do you think of the poet writes in electronic communication and web?
I do not know. I use the pen when I write and notebook, sometimes even a pencil and a piece of paper that I ask the first one to get.

love her for what?
Love? Something extremely complex, affecting the balance and cause insomnia .... In this regard I think I have a heterogeneous nature .... I can slowly go back to and find my way.

And friendship?
a fine line. Perhaps it is the basis of what we call love. I do not really like to differentiate, categorize, measure things.

What is your relationship with his land?
Beautiful. I am someone who takes root. The poems I write are as territorial people who attend. I love the Cilento, whom I consider my homeland, despite being born in Salerno. My open-mindedness is related to the novelty m'intriga only if it reflects the simplicity.

Edward Cook was born in Salerno in 1969. In 2004 he self published the book "Thoughts wandering (August 2003 - August 2004). In 2006 he participated in the first issue's editorial "Animus et Anima" with the collection "Passing" (2005/2006). E 'on the site www.animapersa.net .

Carina Spurrier

Logitech Quickcam Deluxe For Notebooks Lips

The Venus Pulse Interview with Milena Esposito

"In '300 Boccaccio in De deorum Genealogiis gentilium "takes issue with those who denigrated as useless and false myths and was convinced that the fiction does not hide but expressed the human truth: for Certaldo mythology was not a series of legends inert conventional but a wealth of diagrams and examples behind which one could discover the truth of poetry, namely its human meaning. "His poetry anthology entitled" The Venus Pulse "bears the name of one of the major deities associated with love , beauty, fertility. Chronologically in his lyrics are Hypnos, the god of sleep the night his son and brother of Thanatos. Leto, the goddess of technological progress. Athena, the goddess of wisdom. Echo, the nymph consumed by love. Vesta, the guardian goddess of fire. Lucifer, the morning star. Zeus, the king of the gods, the ruler of Olympus. The mythology as access key to his poetry! A random choice or necessity?

A myth is a sacred narrative concerning the origins of the world. The word myth comes from mythos, meaning word, speech, story. The word is an amulet, a powerful talisman. The written word is more powerful, much stronger. It is engraved. Permanent, immortal, and as such, sacred. The word can not be separated from God, and God reveals Himself through the Word. The word opera is accompanied
the pound, from music and music comes from Art of the Muses. Poetry is the Word: is the word of God. Choose the myth for approaching art is a necessary step as the language skills to decode text. I do not know most useful, versatile, necessary.

At the same time the myth is the reduction of narrative moments related to the size of the rite, with which it is a fundamental religious experience aimed at satisfying the need to provide an explanation for natural phenomena or questions about the existence and cosmos.
Poetry is necessary to men and women, to their spirit. This is how it always is was the myth. As is the whole art or beauty. Immerse yourself in the beauty, leaving win, you get closer to God's Word
not have to provide explanations in the divine plan, just totally rely on our Higher Power.

As he began his adventure into the world of poetry?
reading it, loving it. More than that is an adventure, I think it is a process. Starts before me, before this period of life and will go beyond me. It is a necessary research. It is an investigation into the world inhabited by the words and their musicality. There is a beating heart, a body that beats, a throbbing life unbroken through several cycles. In this circle, I shall investigate, read, translate, I perceive, I write ... I try, finally, the beauty. The singing. It is sacred.

writes by day or night, on paper or computer?
Anytime, anywhere, anyway. Did I get various pleasures, at different times and in different situations. Sometimes fixed on paper for a moment, as if I had a polaroid ... sometimes "relive" and I recall, do life, breath with the words soul. But, of course, it's just a fun game. ... As a magician's tightrope walker.

One of his poems to which it is most fond of and why?
I do not fond of my poems, poems then?! I leave it to others, if not just for posterity, this review. Writing is a pleasure, a joy, fun, sharing a wet suit, an inner communication. Well, I do not fond of what I write, I prefer to share it, dramatize, publish, disclose, discuss it. If you really had to choose, I would say it is a poem I wrote in junior high. Was entitled: Let. I wrote on the school diary and pencil, below, drew a pine forest.

What are the poets who loved the most?
are enchanted by the poetry of Edgar Lee Masters. I'm really interested to read even Eastern Europe. I would say that I really loved poets too: I should make a long list. As many love. The classical poetry of many women fascinates me greatly. I am very attracted to the theme of death that is common to many poets. I personally do not find it in poetry, a grim topic, not at all, maybe the lyrics is his most sacred expression. Its total celebration of rebirth. On the immortality of the soul and of the word.

What is your favorite book?
One? Well, it's difficult to answer: Object of Love by Pasquale Panella? But I would say even stories of Katherine Mansfield. Then it's really a difficult question, this: there are too many books to which they are linked: The Little Prince, The Friend Found ... there are books that made me laugh those that moved me, the ones that made me me want to write, those who taught me to understand. The books of nonfiction, fiction, poetry, and then there are the classics with which I grew, I trained. I like to read Buzzati, Chiara, Petrolini, Benni. Like Fosco Maraini Lonfo with her and I like the English literature of the last century. I like the humor of Pennac. I like the old Russian books. How do you choose one? Only one? No, it's impossible!

You storyteller, poet, active in the performing arts and writing, is formative stage, trainer of writing courses ludo / creative, therefore, a witness of our times, he thinks there is still room for reading?
And how not? Mica change anything? It is believed that the time change, I personally do not think so. The world still revolves, is never the same, it's never different, just is. If the flowers still bloom there will always be someone who wants to write and others who like to read. The pleasures are a human side I prefer. As long as there is pleasure there will be life and literature is, of course, one of the best parts of the most sublime of life.

E 'infinitely poetic metaphor in which life is born from the most distant antipode, the end opposite to it Thanatos. What was able to express the his life through writing-catharsis that perhaps would never have externalized?
Everything I have written and construed to the cycle of life, death, whose sister is regenerating step. Here, in a nutshell, the message of which they herald. Externalize the concept of death as cyclical rebirth and flowering is research that moves my fingers on keyboards or wielding pens and pencils to take notes that I often use my creative mind of images to be captured.

Born in Naples and lived in Agropoli (Salerno) ...
The Greeks, and hence the myth. I lived mirroring. My mirror is the Mediterranean Sea. I was in front of Capri from Naples and I Agropoli In front of Capri. As a child I did dream those reflections of the setting sun on the windows and the island is still so today. Rest of the mirror, by noon or midnight, from the north or south, does not change the perspective, even if everything is reversed into reverse is that I move to my home. In these contradictions, in the songs of sirens (the mythical Partenope and the one that came from my pen, Erkula, which often tell their children) live the essence of life and higher art. In contrast strong colors.

The Venus Pulse is dedicated "Mom", a code word of the soul ....
My mother is a Muse. A Goddess. My mother is bright as a star. It is tender like a mimosa pudica bashful. It's funny, smart, smart. It is as angry Hera. As you are jealous. My mother is beautiful. My mother is the essence and the birth of me. And shells. My mother thinks and afraid to die and leave me alone, she does not understand that it is not: Mother's love is forever. You link to the cycle of life.

Milena Esposito narrator is, active in the performing arts and writing, often inspired by popular historical and mythological heritage. E 'formative stage. E 'trainer ludo writing courses and creative. He has worked with Vati newspapers in the province of Salerno. Foundress Cultural Association "Art and Party" is the creator and promoter of cultural events in the Cilento. He has published novels such as honey Autumn (2007) and Luisa Sanfelice or the involuntary How good could sing, Poncho Purple, Bocca di Rosa. Works not represented: The Way of desire (for theater) and the bottle of love (for cinema). For poetry, collected Lucifer wrote (edited, 2009) and quietly - Songs for you (unpublished) .
Carina Spuri

Bionicle Stars Building

Interview with Francesco Sicilia, author of "animamante"

The title of your collection "animamante" describes two fundamental aspects of an individual's life: the awareness of having a soul and the present participle of the verb to love. Double title, double intention
... Yes, even the title is meant to specify / strengthen my conviction of a tangibility of something intangible, an emotional world that has no less (or more) value of the concrete and rational body.

In "on special" you wrote: "the gaze is fixed intently / is almost a substitute for the fingers / as agreed with the approaches / intent to test the extension". Denotes the short to the maturation of their instincts and the need physiological response to the impulse to incarnate the "download" for Freud put it ...
Many verses are - among others - the attempt to cancel the distance between the material and the immaterial, because even in this vividly the love relationship. I see in the abasement (and alive) evolution constructive instinct. The "Download" and also that, to me is just that.

The explicitly erotic anthology connects, as you said, with the universal soul. What is in your hands after wandering in the den of desire? And after having written down?
remains the tangible change. If you lived consciously, the experience gives the change in location that would otherwise be impossible or nearly so. All this happens even after crossing the erotic desire, which for me is something the antithesis of pornography. It 's the difference between the enrichment and consumption.

In your ways too avoid the achievement of explicit, yet the foreign tenant occupying your mind, it pays to the apex
... For me the explicit becomes "too" when it leaves no room for vision / interpretation of the reader. It is no coincidence that pornography is usually linked to the vision, the visual is an art that more easily than others - in my opinion - in its path ignores the value of understatement. I hope, "animamante" have not lost value this course is always the reader to evaluate.

Tell, tell, proceeding on a road made of words filed, added, removed, changed ... Writing is yet to pursue a dialogue in the words of Moravia?
Especially in the field of poetry, I disagree with those who believe that art is something effectively separated from form. The value of the pregnant form is this: to strengthen dialogue and communication. Would end up working decently enough to know a language be artists, we all have "something to say."

In "no virtual" one reads: "the era of promising virtual / the most 'rewarding orgasms empty /". Are you referring to chat rooms, virtual places full of matter, rooms without walls, without boundaries, in which virtual entities stopping in the darkness with inner ghosts?
I refer to the tremendous opportunities offered by remote communication technology. The "empty" I write about is the lack of physical contact, but it is said that the "virtual orgasms" are even less rewarding than the result of physical contact. It is not a conviction, then, mine. The world today is "more full of loneliness despite the new resources available," let us stop to indulge ridiculous clichés. Communicating over the surface has never been easy and never will be, and can hardly be a more technical means available to promote a collective emotional maturation.

Poetry today is not widely read, why do you think?
answer with a question: when the poem was "widely read"? Fifty years ago? A hundred? A thousand? In reality who knows what it takes to "expose" this latest cliché that circulates today. In all its forms, art is not has never been - alas! - Guide and nutrition for more, and I fear never will be, at this level of consciousness. The anomaly of today (if we consider it such) is that the technical means available and allow some economic prosperity to many people to publish, despite continued and will continue not to read, but speech is very different from the commonplace .

What are your literary references?
Through the art of the written word without - apparently - precise references from which to depart and to which to return. Learn "electrocution", in a sense. For example now I'm reading "Lolita" Nabokov, and I find that his language is amazing.

Who spend your creativity?
Who I love, the soul of the world, who or what bore me in its design that transcends time and space.

Salerno
... Over time, after years of estrangement, I am learning to "re-loved" my land. I think I lost the preciousness of amazement, in the past. I rediscovered thanks to a fundamental meeting and thanks to one of the most precious gift I have received from writing: the ability to wonder, exactly.

your future projects?
prefer to live the present as much as possible. A couple of weeks ago under the windscreen of the car I found a flyer that advertised ... Carnival. Who knows, maybe we should try to live the present, and when we succeed.

A question that I have not done?
One or one hundred thousand, as in all the interviews, the main thing is that I have addressed are those that go beyond the surface of things, and so I "lived" and interpreted. Thank you, Carina.


Francesco Sicilia
animamante
Editions Animus et Anima, 2010
Format 12x21 cm
24 inside pages in cardboard

Cover Info: animusfrance@gmail.com

Francis was born in Sicily Agropoli (Salerno) in May 1969. He has published five anthologies: Love anorexic (2002), the absence of filter (2004), Reflections and tremors / needed goodbye (2006), curandoti between cycles (2009). E 'curator of the poetry section of the "documents Aesthetic Center VSVN (www.vsvn.it). Collaborates with the cultural associations "Meteora" by Palazzolo (Brescia), "Perle d'autore" Montefiascone (Viterbo). A freelance journalist, working with avri titles, both print and online .

Carina Spurrier

Foto Te Hannah Muntana

Interview with Fulvio Fapanni author of "The demon behind the door."

In the story "One afternoon in London with Eliot and Montale" inspired by the meeting Moravia writes: "What distinguishes the poet from other mortals is the demon of poetry, at times creative, stands beside him. How to write to say that in two verses are: the poet and his demon. It is therefore for this reason that, in normal life, the poet who runs all alone, without his demon, can seem a little piercing eye a man like everyone else. "According to her, in daily life, the poet is a man like all the others?

Just like everyone else. But it would be appropriate to make a distinction between poet and poet as between human beings and human beings. In our world there are billions of human beings, with very different levels of awareness. I speak of the poet who is aware of their spirituality and expresses it in an ordinary way but vital and intense. Then there are poets who play with words and get lost in their feelings without having control, but the poetry remains the sole source for all.

In the poem "The devil behind the door," writes a devastating impact / impregnates earth-womb / melting the frost gradually. / ... The poetry is born from a devastating impact, Whose son is he in your opinion?

I think is a child of our deep level of awareness that often not even perceive. I believe in the cosmos there is a harmonic vibrational wave from which we have all been adopted, sensitive people, the capture and convert it into words, taking the constant vibration intact, in a sense make music.

was November 1971 when, walking home from school, after reading some verses that Dante Alighieri had dedicated to his Beatrice, tried to emulate him: he was living at the end of his first story of platonic love! (From his preface) ...

Yes, it was my first approach to the world feeling, the music of Dante's verse, I did discover the innate musicality and from there out of love I wrote the first verse, they were astonished and even more watching friends and relatives who were even older than me. But the feeling did not last long, my search for meaning in life and my thoughts since then have converged to an existentialism fought and intense. What better medium for the need to entrench the verses?

She writes a jet or resumed after a few breaks?

cast. Typically, the logic is completely excluded, of course I have an inkling in me of what I mean, and the need to express my leads to the right words that slip from my mind seems empty until the fingers pressing the keys on the computer.

how you felt when her poems were published?

Very well, I saw my self-esteem often fluctuating, rapidly fermented. But generally they are not prey to emotional changes in this direction. When the public feel that my work is over and I'm ready for more. A collection is like a child once an adult is on its way and should be let go.

Symbolically, enter through a door, it means new opportunities. In his poem "The door is closed": is not scary, he writes at one point, the demon that lurks on the other side with me and squeezes the handle. Outside the closed door there may be anti-social tendencies, you can exclude ...

This point is very thin and can easily be misunderstood, there is a time when the door must remain closed and I mean the time when the training of our psyche has to rediscover his rhythm and his essence, then once the door open you are ready to build the social and the other path to follow, there is the lonely, if anything, a hiding, we are all interconnected whether we like it or not. When the time of closed door must be open ended forever. In this context, I refer to poetry, the gate is the border between my personality built with the constraints from birth and the profound spiritual nature that is the demon, something that is scary because it is the authentic self that makes us realize that the habits and desires and dreams not to mention the attachments of this world are nothing. At the bottom of this side of the door you feel a demon, in fact we are there as we really are.

In "Euthanasia", states: "It 's time of euthanasia hidden / but as precise sharp blades. / Surprised no surprises in their sleep / and never the same way / open the window in the morning /. Anticipates a time?

Yes, the invitation to enter the time of life, killing habits, beliefs, way of perceiving things and avoid the recurrence of events, but invented from moment to moment. Life is just this, we move easily to the memories and dreams always suspended between past and future running away from this. But life is now not before and not after. Everyone has to find its way sweet and painless it is capable of killing that is not life.

one time, he writes, the words made sense / hour flow like rivers to the seas confused / low land now supports them / do you ... what happened to the words?

The items are no longer what we are, are just sounds that we use for convenience and to extricate us from everyday problems, all words are often pleasant, reasonable, but then everything falls in the facts. I always believe that poetry is an example of how human beings should speak, expressing only the summary and the time needed.

you recognize yourself in this time?

admit to playing with words in everyday life, but did not play because I feel I am in my time, do not recognize myself in a world where you believe what you see and hear and not what you feel deeply. Empathy, dowry at the bottom showed me the poem, leads me to immerse myself in the next and so eventually I lost in the maze of words and play, but when I write it's just me and I leave everything behind.

Palazzolo (Brescia) that your relationship with his city and his land?

good, although I kind of feel good everywhere, for the same argument made in the previous answer "empathy" after a few days every place becomes my place. Palazzolo is obviously the place where I was more than ever in my life and where I live still, I love the river, and every single meter of stone and asphalt this little town of Brescia, I love the destiny that led me to create a home for poets just thirty yards from where I was born, and special people that I attend. But then back to the authentic, does not actually belong to no land, I feel I belong to everything in heaven and on earth that lives and breathes or stand still to enrich the set of his presence.

Fulvio Fapanni was born in Palazzolo (Brescia) in September 1957 and written poetry since 1971. In 1982 he founded the Group literary Meteora. In 1985 he wrote the poem "Neither man nor puppet" version of "Pinocchio" in esoteric, then used to work theater (Company "The Bunch", directed by Gian Bianchetti). In 1999 he published "glow in the shadows Songs in the light". In 2006 he participated in the first issue's editorial "Animus et Anima" with the collection "Erihanna the final redemption." A amateur has made the film "Lucid Dream" in 1999 and is now under construction the second film, "Messengers". From 1982 to 1985 was devoted to ceramic sculpture, preferring ancestral figures of imaginary worlds. After twenty-five years is still returned to sculpture to create new forms and imaginary worlds .

Carina Spurrier

Can I Get A Period In 2ww

Arcanum of Magic, an interview with Maria Luisa Pesce

reading his preface came to my mind the verses of the great poet Emily Dikinson them to him so that I quote: "I can not be alone / I am visit / an array of guests, / are not recorded, / do not use the key, / do not have no clothes, no name, / or climates, or almanacs, / but the common home, / just like gnomes, / messengers inner / will herald the arrival / departure instead / is not announced, it / I never left. "So it was for her" on that August afternoon, after some Dee came to visit?

am a visionary.

Often the biggest insights come to me for the channels of lateral thinking, rather than the conventional way of reason.

Each project is my first insight, sudden emergency of a network of knowledge which, after being kept in fermentation, they take through mysterious processes, defined shapes that reach the threshold of awareness in a completely .. . unconscious.

Maybe (my guess is) it is women who think this way or, rather, that of us are female.

"born under the sign of Pisces with ascendant in Sagittarius and the Moon "is defined as a restless and untamed. His Sun in Pisces, but immersed in the visionary realm of Neptune, the writing had announced his birth, in very difficult times ...

Or perhaps, just as immersed in the realm of Neptune, was expected to be revealed some tendencies.

Neptune is the master of artists and mystics, in astrology: a magnificent port, which rises and sinks the crazy visionaries.

in itself has a neutral value, we who make it an instrument of elevation or a fall.

Yet, with regard to my person, I owe much more other members of my sky, for example to Uranus, planet androgynous definition, which protects those who need to constantly change and be ahead of times, dreaming of new glimpses of the future.

She writes, "once had rivers and springs hidden items nymphs. And again: "A crow who knocks on your window is an invitation to Odin and the owl is to say that something is being done for good." Experimenting with the form of the sacred territory is also a feature of American Indians. The same capabilities found in a poem by an old Cherokee which says: "Many of the things we know we have learned from the rock. You can also talk to a rock ... but you know how to speak to the rock. "Native Americans had learned to communicate with the rock, while the runes Odin gave the power to communicate with men. Even in his poems the gods asking for human contact.

The deities are agglomerations of thought, as explained by Alan Moore.

I mean that the names, signs, symbols, in the end are nothing but neural networks that intersect to create a form (or a lot more than one) in the space-time of thought, which is common to all territory men.

The gods are human. There may be nothing more

if not this one.

Hindus are polytheistic culture more tolerant of human history.

They argue that each god is essential, since an overlap of projections useful enlightenment of mankind.

is like saying that if, for example, I need in this life, to worship a god child, most likely, at more or less unconscious, I'm trying to retrieve a relationship with my inner Puer, which urgent need for adaptation and education, I plunged into a twilight zone.

However, there is more. I speak of energy, a kind of intelligence immanent in things, that takes the field inert and makes the material itself.

I believe in this.

I believe in the etheric subtle vibration that animates the nature of the world.

I call "shamanism."

What is your relationship with the authors of the past?

I tend to be ancient and modern together.

viscerally I love the poetry of the past, which often was not only loving, but sacred.

remember with particular interest in the Sumerian poem dedicated to the descent of Inanna, goddess of love in the realms of dark sister Ereshkigal, the search for the lost bridegroom Dumuzi.

Also in the group of poems are both initiatory and love, I can not quote the Song of Songs, which celebrates the relationship between Solomon and the Queen of Sheba, but, more likely, is a collection of pastoral songs pollinators.

I find it amazing the epic of Gilgamesh and his inseparable companion Enkidu and the poem of creation called Enuma Eli.

I fed a lot of interest expressed by the faithful to the poetry of love, a secret order initiation to adhere to many Sufi mystics (including Ibn Arabi) and the many artists who, between the thirteenth and fourteenth centuries, in the wake of the current and Cathar Neo-spotted in a feminine principle and wisdom, Sofia, Anima Mundi, the gateway to the elevation.

I loved the Greek lyric poets, Sappho, Mimnermo, Ibico, Tyrtaeus, to intimate that the component have been able to infuse their poetry.

Among contemporary authors, to whom he feels closest and why?

I can not quote Jack Hirschmann, the poet still alive, a native New Yorkers, I had the great fortune to know personally in a very formative stage of my life, when, working with the House of Poetry, I have listen to some of the most interesting voices of the contemporary international scene.

is to him that I dedicate my Arcanum of Magic, in which he has written many mysteries, coining this way: Several years ago, I was a little more than a little girl, in a literary cafe Salerno, I had the honor of reading next to him the Italian translation of his "Arcana Shups" written in memory of his father and then I remembered that from my born.

What do you think of poetry books and e-books, alternative ways that escape the complex mechanisms of publishing?

I'm not a traditionalist.

I do not like the established forms, I have to constantly reinvent, those forms, breaking and re-create.

book are not tied to the object itself, but I appreciate the sense of beauty that an object can be expressed by its shape.

I find interesting artist's books, I find it interesting the books well done, I find it useless to a lot of modern editorial production.

A book, an ebook, does not matter.

appreciate the combination of technology and Eidos.

appreciate the forms that have a soul.

soul fruitful field, everything else is sterile discourse.

A reminder ...

I spent next to intense afternoon my grandmother gave me the art.

The tenderness of smiling faces of my father.

Thanks ...

to my uncle, the painter and engraver Antonio Pesce, my mentor in life and art, in the balance and measure.

To him, who taught me that the vehemence of Dionysus Zagreus can be ridden by Hermes psicompompo, dall'Ade that you can emerge triumphant, having found their gold.

Salerno What is the relationship with his city?

do not have a relationship with the city, but with the territories. There are places that have an energy: this is the source of Faiano, so for the chestnut Calvanico, so the mountain of Bracknell who monitors carefully my house, so for the unsteady ground of Argive Hera, so for the church of San Michele di Mezzo is located on a line of force.

am a shaman: I love the earth.

Meanwhile his Sun in Pisces is released by the opposition of Saturn ...

... but it is covered with the powerful energies of transformation embodied by the conjunction of Jupiter and Uranus, which will invest up to the end this year. It was written that I had to put even more bare my soul ...

Maria Luisa Pesce was born in Salerno in 1974. He collaborated with the Multimedia Edition " "The House of Poetry" in Baroda. He has translated from the texts of authors such as Agneta Falk, Sarah Menefee, and Jack Hirschmann. This has translated and published some of his verses on the U.S. magazine "American Poetry." He published the book The Dream of the body (1999), the story Clarita (2002), the anthology The complex of the mermaid (2006). In 2005 he published the story the phoenix in the series "Sailing in the words," The wire for the editions. E 'astrologer, tarologa with Jodoroswky method, flower-therapist, an expert on oniromanzia. From an early young age of mythology, symbolism, Hermetic philosophy and analytical psychology, he studied many forms of disciplines, both Western and Eastern .

Carina Spurrier

Vanguard Case For Lx3 Leica

read interviews with poets

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Big Boobs Men Push Clip

interesting night Dec. 3 at

We found ourselves in the Friday, December 3 to celebrate with panettone and distribution of booklets UNICORN we replaced the last Cover and finished copies (in weeks I do with the other covers and the last sgraffettati just waiting for the replacement of the cover printed to the PC, and then finishing.) Brochures on the cover orange were popular in the coming days I try to finish some at least another hundred.

When were these: that I Fulvio Fapanni, Barbara Castagnetti, Mariarosa Gualandris, Domenico Novali, Mario Cucchi with Carmen, David Mara with Mario Gravano, Vilma Dolmella and our friend Earl Wlad or Wladimiro Cmielovschy (or something Forgive my lack of knowledge of language. We went out and found the snow.

Hello everyone fulvio

Skinny Dippingfrozen Water Good For The Soul

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